Madala Panji : (Odia ମାଦଳା ପାଞ୍ଜି) is a chronicle of the Jagannath Temple, Puri, Odisha, India. It
describes the historical events of Odisha related to Jagannath and
the Jagannatha Temple.[1] The Madala
Panji dates from the 12th century.[2]
Madala
Panji's role in Odia history:
While
writing Odia history, historians like Sir W.W.Hunter and Andrew Stirling
considered the facts related in Madala Panji as a base [3] .
The Madala Panji was traditionally written on a year-to-year basis[4].
On Bijaya-Dashami day, the Karanas (official
history writers of Puri, a caste of Odisha, involved in keeping the chronicle.
This ritual is cited as a proof that the tradition of keeping this chronicle
began with Odia king Anantavarman Chodaganga Dev
(1078–1150) himself. There are some, like Dr. Harekrushna Mahatab, Dr.Nilakantha Dash and
Dr. Krushna Chandra Panigrahi who hold
that the Panji dates from the reign of Ramachandra Deva I who re-established
the worship of Lord Jagannatha after Kalapahad said
to have destroyed it. The arguments are complex, but it is likely that much of
the early record was indeed lost in the period that followed Kala Pahad and was
rewritten in a fashion that mixed legend with history.
Writers of Panji:
According to
the tradition, Chodaganga created 24 families of Karanas to preserve the temple
records. Of these, five were entrusted with the writing and preservation of the
Madala Panji. They are:
- Panjia Karan—preserves the
Madala Panji
- Tadau Karan—writes the Madala
Panji
- Deula Karan—enforces the Madala
- Kotha Karan—the main compiler
- Baithi Karan – assistant
In subsequent
stage, due to the bulky size of Madala Panji, its content covering different
dimensions related to temple management, it was divided into four parts:
1.
Bhandara
Khanja Madala (maintained by Pattajoshi Mohapatra)
2.
Deula
Madala / Karmangi Madala (maintained by Deula Karana)
3.
Deshapanji
Madala (prepared by Deula Karana)
4.
Rajakhanja
Madala (prepared and maintained by Tadhau Karana),[5
Types of Panjis:
There are
also five different categories of Panjis. No one has seen them all.
- Raja Khanja—important events of
the Rajas. Read on Paush Purnima (Pushyabhishek). Kept by Tadau Karan.
- Desh Khanja—Records gifts of
land and money and occasions when the Jagannath temple was plundered. Kept
by Kotha Karan.
- Karmangi. Daily rituals.
Important events related to the rituals recorded. Announced daily at the
Beherana.
- Dina Panji—The daily almanac
read by the temple astrologer at the time of the Avakash. These were
prepared annually and finalized on Vishuva Sankranti.
Besides the
Madala, there were other Karans who wrote regional chronicles, known as
Chakadas. "All the Kadatas and Chakadas taken together will be about a
cartload."
Madala Panji in recent
years:
Madala Panji
language is Odia and was recorded in Odia and Telugu script, preserved in the
Manuscript Library in Madras, which speaks about the story regarding image of
Nila Madhaba or Lord Jagannath of Udra desa, as Odisha was known in Middle
Ages. It seems to have re-written during 16th century when the king of Khurda
had newly installed the images after destruction made by Kalapahad, Muslim
general of Nawab of Bangal.
A thorough
study of the Madala Panji using all the different source materials has
apparently not yet been done.
Jagannath in the Puri temple with the motive of glorifying him as
Second Indradumnya. Raja Indradumnya, according to tradition.
Medieval and early modern periods:
The history of Puri is on the same lines as that of the Jagannatha
Temple, which was invaded 18 times during its history to plunder the treasures
of the temple, rather than for religious reasons. The first invasion occurred
in the 8th century AD by Rastrakuta king Govinda-III (798–814 AD), and the last
took place in 1881 AD by the monotheistic followers of Alekh (Mahima Dharma) who did not recognise the worship of
Jagannatha.[15] From 1205 AD onward [14] there were many invasions of the city and its temple by Muslims
of Afghan and Moghul descent, known as Yavanas or foreigners. In most of these invasions the idols were taken to
safe places by the priests and the servitors of the temple. Destruction of the
temple was prevented by timely resistance or surrender by the kings of the
region. However, the treasures of the temple were repeatedly looted.[16] The table lists all the 18 invasions along with the status of the
three images of the temple, the triad of Jagannatha, Balabhadra and Subhadra
following each invasion.[15]
|
Invasion number
|
Invader (s), year (s) AD
|
Local rulers
|
Status of the three images of the Jagannatha temple
|
|
1
|
King Subhanadeva of Bhaumakara dynasty
|
||
|
2
|
Illias Shah, Sultan
of Bengal, 1340
|
Narasinghadeva III
|
Images shifted to a secret location.[18]
|
|
3
|
Feroz Shah Tughlaq, 1360
|
Ganga King Bhanudeva III
|
Images not found, though rumored that they were thrown
into the Bay Of Bengal.[18]
|
|
4
|
Ismail Ghazi commander of Alauddin Hussain Shah of
Bengal, 1509
|
King Prataprudradeva
|
Images shifted to Chandhei Guha Pahada near Chilika
Lake.[18]
|
|
5
|
Kalapahara, army assistant general of Sulaiman Karrani of the
Afghan Sultan of Bengal, 1568
|
Mukundadeva Harichandan
|
Images initially hidden in an island in Chilika Lake.
However, the invader took the idols from here to the banks of the Ganges
River and burnt them. Bisher Mohanty, a Vaishnavite saint,
who had followed the invading army, retrieved the Brahmas and
hid it in a drum at Khurdagada in 1575 AD and finally re-installed it in the
deities. Deities were brought back to Puri and consecrated in the Jagannatha
Temple.[19]
|
|
6
|
Suleman, the son of Kuthu Khan and Osman, the son of
Isha (ruler of Orissa), 1592
|
Ramachandradeva, the Bhoi dynasty ruler of Khurda
|
Revolt was by local Muslim rulers who desecrated the
images.[20]
|
|
7
|
Mirza Khurum, the commander of Islam
Khan I, the Nawab of Bengal, 1601
|
Purushottamadeva of Bhoi Dynasty
|
Image moved to Kapileswarpur village by boat through
the river Bhargavi and kept in the Panchamukhi Gosani temple. Thereafter, the
deities were kept in Dobandha—Pentha.[20]
|
|
8
|
Hasim Khan, the Subedar of Orissa, 1608
|
Purushottam Deva, the King of Khurda
|
Images shifted to the Gopal temple at Khurda and
brought back in 1608.[20]
|
|
9
|
Hindu Rajput Jagirdar Kesodasmaru, 1610
|
Purusottamdeva, the king of Khurda
|
Images kept at the Gundicha Temple and brought back to
Puri after eight months.[20]
|
|
10
|
Kalyan Malla, 1611
|
Purushottamadeva, the King of Khurda
|
Images moved to 'Mahisanasi' also known as'Brahmapura'
or 'Chakanasi' in the Chilika Lake where they remained for one year.[21]
|
|
11
|
Kalyan Malla, 1612
|
Paiks of Purushottamadeva, the King of Khurda
|
|
|
12
|
Mukarram Khan, 1617
|
Purushottama Deva, the King of Khurda
|
Images moved to the Bankanidhi temple, Gobapadar and
brought back to Puri in 1620.[22]
|
|
13
|
Mirza Ahmad Beg, 1621
|
Narasingha Deva
|
Images shifted to 'Andharigada' in the mouth of the
river Shalia across the Chilika Lake. Moved back to Puri in 1624.[23]
|
|
14
|
Amir Mutaquad Khan alias Mirza Makki, 1645
|
Narasingha Deva and Gangadhar
|
Not known.[24]
|
|
15
|
Amir Fateh Khan, 1647
|
Not known
|
Not known[24]
|
|
16
|
Divyasingha Deva, the king of Khurda
|
Images moved to 'Maa Bhagabati Temple' and then to Bada
Hantuada in Banpur across the Chilika Lake, and finally brought back to Puri
in 1699.[24]
|
|
|
17
|
Muhammad Taqi Khan, 1731 and 1733
|
Birakishore Deva and Birakishore Deva of Athagada
|
Images moved to Hariswar in Banpur, Chikili in
Khalikote, Rumagarh in Kodala, Athagada in Ganjam and lastly to Marda in
Kodala. Shifted back to Puri after 2.5 years.[24]
|
|
18
|
Followers of Mahima
Dharma, 1881
|
Birakishore Deva and Birakishore Deva of Athagada
|
Images burnt in the streets. [25]
|
Puri is the site of the Govardhana
Matha, one of the four
cardinal institutions established by Adi Shankaracharya, when he visited Puri in 810 AD, and since
then it has become an important dham (divine centre) for the
Hindus; the others being those at Sringeri, Dwarka and Jyotirmath. The Matha (monastery of various Hindu sects) is headed
by Jagatguru
Shankarachrya. It is a local
belief about these dhams that Lord Vishnu takes his dinner at Puri, has his
bath at Rameshwaram, spends the night at Dwarka and does penance
at Badrinath.[12][26]
In the 16th century, Chaitanya
Mahaprabhu of Bengal established the Bhakti movements of India, now known by the name the Hare
Krishna movement. He spent
many years as a devotee of Jagannatha at Puri; he is said to have merged with
the deity.[27] There is also a matha of Chaitanya Mahaprabhu here
known as Radhakanta Math.[12]
In the 17th century, for the sailors sailing on the east coast of India,
the temple served as a landmark, being located in a plaza in the centre of the
city, which they called the "White Pagoda" while the Konark Sun Temple, 60 kilometres (37 mi) away to the east
of Puri, was known as the "Black Pagoda".[27]
The iconic representation of the images in the Jagannatha temple is
believed to be the forms derived from the worship made by the tribal groups
of Sabaras belonging to northern Odisha. These
images are replaced at regular intervals as the wood deteriorates. This
replacement is a special event carried out ritualistically by special group of
carpenters.[27]
The city has many other Mathas as well. The Emar Matha was founded by the Tamil Vaishnava saint Ramanujacharya in the 12th century AD. This Matha,
which is now located in front of Simhadvara across the eastern corner of the
Jagannatha Temple, is reported to have been built in the 16th century during
the reign of kings of Suryavamsi Gajapatis. The Matha was in the news on 25 February
2011 for the large cache of 522 silver slabs unearthed from a closed chamber.[28][29]
The British conquered Orissa in 1803, and, recognising the importance of
the Jagannatha Temple in the life of the people of the state, they initially
appointed an official to look after the temple's affairs and later declared the
temple as part of a district.[14]
Thanking You!
Written By : Bipin Chandra's

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